Toby Ng is founder and creative director at Hong Kong-based Toby Ng Design which he established in 2014. Prior to this, he graduated from Central Saint Martins, London in Graphic Design and practised internationally including London, Singapore and Hong Kong. Specialising in graphic design and brand identity, Ng rigorously tackles design challenges with wit and aesthetically meaningful communication.

Recognised in the field as a graphic designer of this generation, Ng is the winner of numerous awards both internationally and locally; they include the British D&AD Awards, New York One Show Awards, New York Type Director Club Awards, Germany Red Dots Awards, Tokyo Type Director Club Awards and Design for Asia Awards. In addition, he was honoured in 2014 with the Hong Kong Young Design Talent Award, selected by Perspective Global as one of the top 40 design talents under the age of 40 in Asia, and named as one of the 36 Young Designers in Asia by Designnet magazine.

Ng’s works have been widely published and showcased in world-renown galleries including the National Portrait Gallery, London. In particular, one of Ng’s personal initiatives ‘The World of 100’ was published in book form and distributed universally, most notably at the MoMA, New York. Besides inspiring his creative team, he often shares his ideas to the wider community at international conferences and universities such as TEDx. Most recently he was appointed as the Branding and Communication Design jury of the globally acclaimed New York Art Directors Club Annual Awards.

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ZWEILINDENBLATT, Kommunikationsdesign,
Vilsendorfer Strasse 65,
33739 Bielefeld

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 (+49) 5206 91645-80

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Isabell_Lindenblatt

Das bin ich.

Isabell Lindenblatt | Art Directorin.

Ich freue mich Sie und Ihr Unternehmen kennenzulernen, Lösungen für Sie zu entwickeln, die Sie von Ihren Wettbewerbern unterscheiden. Ich verpasse Ihren Projekten das nötige „Look and Feel“

Ich setze für Sie Konzepte und Designs für den Online- und Offline-Bereich, als auch auf Ihren Social-Media-Plattformen um.

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